The findings provided some evidence that motivated students studied regularly and productively to take every opportunity to perfect their language skills. However, students� motivation and attitudes toward L2 study were relatively positive and stable during the course.
The results showed that students tended to have relatively high anxiety about the LOL course at the beginning of the semester, perhaps due to their lack of familiarity with the specific LOL learning environment. Students� learning behaviors and learning outcomes were used as predictor and criterion variables in a series of quantitative and qualitative analyses.
Students� attitudes and motivation were examined within a socioeducational framework (Gardner & MacIntyre, 1993) while learning contexts were examined based on D�rneyi�s (1994) components of foreign language learning motivation. Lyrically, there are two notable changes in the original “Prince Ali,” there’s a line where the people rattle off the prince’s bona fides, at one point singing “He’s got slaves, he’s got servants and flunkies!” Which-problematic.HelfanyAmsa: The Role of Students� Attitudes and Motivation in Second Language Learning in Online Language Courses This study investigated the role of students� motivation and attitudes in second language (L2) study within an online language course context (LOL). Performance-wise, Smith picks to emphasize totally different inflection points than Williams, differentiating himself in subtle ways. In “Prince Ali,” the marquee number Genie uses to introduces Aladdin’s royal alter ego, the music has been amped up to have more of an Agrabah-meets-Mardi Gras big-band effect. Let’s start with some of the more minor, but noticeable changes.
The changes range from subtle lyric twists to new songs, including a much-ballyhooed number for Jasmine written by Benj Pasek and Justin Paul. However-Disney has also allowed a handful of changes and new additions that will tweak the ear of any fan of the first Aladdin. In Disney’s new live-action iteration, directed by Guy Ritchie, that music stays largely the same, a testament to the soundtrack’s classic staying power. Aside from Robin Williams’s iconic performance as Genie, the most enduring aspect of Disney’s 1992 Aladdin is the film’s soundtrack, with unforgettable music composed by Alan Menken and lyrics by Howard Ashman and Tim Rice.
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